Photo Prompt for 100-word Flash #FridayFictioneers


Here’s the photo prompt for this week’s Friday Fictioneer’s:

Why only 100 Words

100-words isn’t a *rule* and some of us write more than that. My goal is to have The Friday Fictioneers use 100-word stories as an exercise in choosing concise phrases and strong verbs. It’s an excellent way to show your stuff to the world without exposing too much. It’s okay if you use more words, but if it’s much more let us know in the comments so we’ll know how to allocate our time if we’re trying to read all the posts.

Put your best efforts on display for 100 words (more or less) and hop on board Friday with links back to your blog so we can all see what you’ve written. If you don’t have a blog of your own you are welcome to post your 100 words in the (Friday) story page. Go to the side-bar calendar and click on the current week’s Friday date. Then follow the link from there to the story page.

If you accidentally post your link here on this page today, you’ll miss out on a lot of the blog hopping because the action will be stemming from links on the story page.

How to become a Fictioneer

  1. Write a 100-word story (more or less, and it’s okay if you didn’t use this picture for inspiration)
  2. Post your story to your blog on Friday (or just link to it tomorrow if you wrote earlier)
  3. Comment on my story Friday and post a link to your story.
  4. Tweet your link and include the tag #FridayFictioneers if you’re on Twitter.
  5. Visit and comment on all the other stories that link to my story. If the comment forms allow, leave your link on all your comments, so others can find you and us later on.
  6. Check back often because participants post throughout the day.
  7. Get psyched up to do this again next week :)
Keep in mind that sometimes I can’t read or comment until late in the day and throughout the weekend because of the day job on Friday.

You can click the tab at the top to read a little more about Friday Fictioneers.

I hope to see your creativity shining tomorrow!

Tuesday Share: Debra Marrs, Editor and Coach for Writers


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Intro: I’d met Debra via Twitter a few weeks back when she mentioned the concept of finding 100 pre-sales for my book before even approaching editors or agents. This was during a chat with agents on Twitter, and some of the agents agreed. Have heart, though. Some didn’t think it mattered ahead of time and that a platform could be built after a publishing contract. Personally, I prefer to proactive route when possible so that’s the approach I’ve taken.

So Debra’s written this guest post to expand on that idea and give us some tips on how to accomplish this feat, as well as an attempt to address some of the questions left by commenters on Sunday’s blog post here.. I know it sounds impossible, but it’s not. It takes time. And that’s why I’ve been spending so much time building my foundation before my book is even ready to pitch.

This isn’t something I could do in a week, or a month, and maybe not even in a year although that would certainly be enough time to get good and started. It’s part of the new playing field for writers, especially if you want to self-publish or go with small presses.

Feel free to ask questions or leave comments!

NETWORKING AND TWITTER FOR WRITERS

Thank you for your mention, Roxann. I’m so glad we met on Twitter, and that’s how a personal relationship begins.

Finding 100 buyers for your book is just the tip of the iceberg. Since the general statistics state only 1-3% are willing to purchase a book from or by you, that means you need to have at a minimum 1000 ‘personal’ friends, family members, co-workers, local townspeople, public figures, etc. who know you are a writer, support what you’re doing and will actually fork over $17-$30 to buy a hardback book (if you publish traditionally). And those 100 need to be people who will tell at least another 50-100 people about you and your book, and recommend both highly. That assumes that the original 100 will read your book and actually like it enough to tell others too. When I say telling others, that might include writing a book review on Amazon.com, for instance. It also might include tweeting about you and your book too.

When I ask writers to get serious about making this list, they have to admit that even their closest family members probably won’t buy their book. So you’ll have to dig deep and go wide to come up with a true list of 100. And that’s only a starting place. Again, 1000-5000 real buyers that you know would buy your book is where you want to get to over time.

People buy from those they know, like and trust. People buy based on recommendations from people they know, like and trust.

So any networking efforts should be targeted at building a list of “loyal” followers who get to know you, develop a fondness for you, and trust you because you’re an authority on something, or stand for something tangible as a personality.

For those suffering from Tweet non-exposure, try a mix of tweets. Post 10-20 times a day. That’s approximately 1-2 tweets per hour. Use software such as SocialOomph, HootSuite, or TweetDeck to preschedule tweets to go out 24/7 since your prospective audience may live in a different part of the world (for instance, I have a lot of Japanese and UK followers).

The mix of tweets should be something like this:

Tweet directly using their @name to at least 25 people today, corresponding with them in-depth, about them, their life, their kids – whatever they’re tweeting about, respond to their tweets. Go for at least 3-6 exchanges with these 25 people.

Tomorrow, tweet with 1/2 of the original 25, and add 12 more people to add up to 25 people to correspond with again. Repeat that cycle daily. One-half from previous day combined with one-half new people (from your follower/following lists).

Another way to look at how you tweet is by % of all your tweets:

1. Direct approx. 40% of your tweets at specific follower/following ‘friends,’ asking about something they tweeted (vs. a generic “how are you” or “what are you working on”) – become genuinely interested in what other people are doing – when you’re consistent, soon they will be genuinely interested in (and supportive of) you too.

Remember, you’re building relationships here, not just a list of followers. Lists are worthless unless these people genuinely engage with you. Give them a reason to know you, like you and trust you.

2. approx. 5-10% RTs - retweet helpful writerly information tweeted by group above in #1.

3. approx. 5-10% RTs – retweet other useful links about reading, books, publishing, writing, craft, etc. from subject matter experts and authorities you follow – people in the biz – agents, , mentors, editors, writing teachers, publishers, internet marketers, publications.

4. approx.10-20% your own content – writing quotations, tips and how-to about the craft of writing you find in books, articles or other resources. Include recommendations by your teachers, editors, mentors, and anything that’s about you and your writing/publishing adventure.

5. approx. 10-20% about your personal life experiences, comments on world events, your hobbies, etc. keeping everything mostly upbeat even when you complain – people are put off by “Debbie Downers” and you lose that know/like/trust factor quickly. It’s okay to share about yourself – that’s keeping it real.

Notice the order of the list above. 1, 2, 3 is all about other people, not about you. To be genuinely interested in other people, that means putting them first.

Work with this mix over time. Observe what some of the people in the industry do. Follow other authors, big name authors, people whom you respect. Watch what they do. If it seems to be working for them, emulate their success.

And finally, be ever so gracious and grateful to everyone you meet on the web, whether it’s Twitter, Facebook, LinkedIn or Pinterest. Networking is all about connecting.

Continue to build relationships and you’ll soon realize you have a wealth of people who are eager to be your first edition book buyers too.

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Editor and Coach for Writers Debra Marrs offers writing how-to tips and advice at YourWriteLife.com (http://www.yourwritelife.com) You can exchange tweets with her @DebraMarrs

Connect with her elsewhere:

On Facebook http://www.facebook.com/debramarrs

On LinkedIn http://www.linkedin.com/in/debramarrs

On Pinterest http://www.pinterest.com/debramarrs

Shaking things up


Just shaking things up a little bit with my blogging schedule. Tuesdays and Thursdays will have a new focus on my blog.

Tuesday Share

Tuesdays will become the day I invite other writers to tell me their stories. How they started, where they are and hope to get. If already published, what books they have out and where they can be found. Let us know how to find you in the world wide web of networking and which haunt is favorite. Each Tuesday Share will close with a blurb from whatever story the author is working on or are trying to sell.

I’m excited about the line-up for the next two weeks, and you are invited to submit your stories too! Next week we’ll have Mike Resnick, multi-published and well-known scifi author. Following him the week after that will be K.V. Johansen, author of Blackdog, a fantasy novel. She’s also author of other fantasy titles, but Blackdog is the one I’m currently reading.

This space is also going to be where writerly advice can be offered. When I find guest posters with information to share that will benefit us, this day is when I’ll run it. Watch for the first post in this vein today at 10 a.m. Debra Marrs is going to share her insight on the kind of networking we need to be doing to ensure our book’s sales success. This is related to Sunday’s post on using Twitter as a Tool.

I’m taking volunteers, so if you’re interested in standing in the spotlight email me. My addy’s in the sidebar.

Would You Buy It? (Thursday)

This is going to be lots of fun. It’s for both readers and writers. Every Thursday I’ll post a 25 word pitch from a different author and the rest of us will vote on it as to whether we’d buy the book based on that brief distillation.

We’ll offer constructive crit in the comment section. At the end of the week, I’ll send the poll summary to the participant and all the comments and they can take it from there to decide what to do with it.

As slots open up, we can run our pitches through the gauntlet again for more feedback.

Volunteers are also being accepted for this too, so email me with your pitch (25 or less words). Jan Morrill’s up first this week with her pitch for Broken Dolls.

There will be a few rules associated with this one:

  • 25 or less words
  • any genre is welcome
  • constructive crit welcome
  • if you dislike the genre and can’t vote objectively, don’t vote
Here is an excellent link I ran across today regarding pitches. David B. Coe (published with Tor – fantasy genre) was offering pitch crit today at Magical Words blog. I sent mine over and was thrilled when he returned the feedback. All of the comments are worth reading through if you’re working with your 25 word pitch because he offers excellent advice.
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What do you think? Sound like fun, too much work or worth the effort?

Writerly Business Plan – Twitter as a Tool


This post is part of my series on my Writerly Business Plan. Here are the first 4 parts and the other information that goes with the Plan:

A thought to keep in mind. None of this writerly business plan is about actually *doing* anything different at all. It’s almost all just about *thinking* about what I’m already doing – just becoming conscious of what is already part of my way of doing thing. Except for the practical parts, like bookkeeping and the writing itself, it’s a frame of mind.

Marketing Tools – the Twitter (Redux)

Okay now this post is ready to go live. The other day I was just in the process of getting thoughts down…thought I’d better save it before something happened. Then what did I do? I hit the ‘Publish’ button instead of the ‘Save Draft’ button. And there it was. Too late to retract. I hate it when that happens.

I write my blog posts in the same manner I write other stuff and the first draft is usually pretty rough. But I’ve found a way to avoid that in the future. The first thing I do is set the publish date for 2014. That way if I accidentally hit the wrong key again, no harm done. Unless I forget to finish it for the next couple years.

What you might have seen the first time around was this sentence: I don’t like seeing people ‘hawk’ their books on Twitter. And I don’t. But I realize we need to be able to use Twitter (and the other media) for marketing.

Hawking Books

The problem is that the direct ‘Buy my book’ route doesn’t work. It could be anything, not just books – I don’t like that sales approach used on me. If I am shopping for something, I’ll browse through what I know or go to a trade-show.

It’s that ‘what I know’ phrase that matters. It’s good that as a shopper I know about you and what you have to sell. Twitter as bazaar isn’t the Twitter I like to use. Of course, I don’t have a book ready to sell – yet – but from what I’ve seen in how * I * react when people Follow or Friend me just to sell me something, it’s a fruitless and time-sucking endeavor.

A lot of writers don’t see the value in Twitter because they’ve tried that route to sell and it didn’t get them far. So they’ve written it off. Which brings me to the point of this blog post today. Twitter is an excellent tool. It’s the best I know for building a large network.

Networking is way different from selling. Marketing is not directly selling. It’s the art of making someone want whatever you are offering. When you put networking and marketing together, it’s really very powerful. And even though I don’t have a book for a product yet, I do have my blog and my writerly identity. And along the way I’ll also have connections. Those three things are part of the foundation of my business plan and so I’m giving them a lot of attention early on. Why? Because it takes a pretty good amount of time to build quality networks.

You can’t just subscribe to a mailing list and hope voila’ *poof* your network appears.

What are Networks?

I envision networks as concentric circles enfolding groups of people I know, each larger than the last and containing the smaller group within. I’m going to work outwards from the innermost smallest, most personal circle. Your household is your smallest circle. These are the people you see every day.

Unfortunately for many, as far as business is concerned, your household often doesn’t take you serious. So it’s not that they don’t count, per se, but for some of us, our household network isn’t going to sell many books for us. There again, though, is the difference between selling and networking. Here’s a great definition of the difference from Express Yourself to Success:

The main difference between selling and networking is that in a sales process the goal of the interaction between two people is the sale of a product or service. When networking, this sale could be the consequence of a contact that is built with respect and care. So it is clear that the sale is not the goal of networking, but a nice and in many cases a logical consequence.

Suppose, for example, that your son has a friend who loves to read. In this example that really happened, he mentions casually to his friend that his mom is a writer. So the friend is interested in what mom writes. Mom has to dig hard to find something appropriate in her catalogue of finished stories for a 15-year-old boy, but she finds it and hands it over. After reading the story that boy has become a life-long fan.

So through networking with my son (which happened rather organically as networking in general will when you’ve gotten comfortable and understand it) turned into a potential sale. This concept of potential sales and finding them is important. I’ll come back to that after I finish talking about the network circles.

The next larger circle is your extended family, close friends and coworkers. These are all people who, like your household, are part of your network by default. If you don’t talk about what you do, it’s unlikely that you’ll find potential sales among them, but it’s possible. Any one of them could be interested in what you write. But I’m discriminating about who in my network at this level I talk to about my stories. I might not want my co-workers, for example, to know I write weird Lovecraftian erotica sometimes.

Next circle out is your acquaintances. I go to crit groups and many of the members of this group are in the closer circle, but most are part of this larger circle of friends and acquaintances. This potentially could be a very large and rich network. Rich in contacts and referrals and potential sales. But we have to include more than just other writers in our larger circle.

Bookstores often have clubs and that’s a great place to find readers who love your genre. I don’t have time to network in person like this, though, so my middle circles aren’t very large. My smallest circle isn’t very large either. Don’t limit yourself by thinking only in terms of networking with only people like yourself. Be open to all the possibilities. You might find new friends you’d otherwise have never met.

The largest circle is the world at large. And this is where Twitter shines. I mean it really shines so brightly you’d need sunglasses if you realized the potential. It’s so important to reach beyond your local circle of friends and acquaintances if you want to have a large network and that’s how Twitter can help. My blog, Facebook, and Twitter all interface with each other and one alone isn’t very helpful when everyone I network with has a presence in all three areas.

Another Resource

Here’s another good resource if you’re looking for ideas on how to market your book:

Red Dwyer Promoter, Publicist & Publisher Momma’s Money Matters

“Let’s get one thing perfectly clear: No begging. A marketer (or author who has sold oodles of books) told you to post the link to your buy page on every social network and keep posting it. That advice probably netted you a handful of sales the first time you did it. It is not so effective now, is it? Discover alternative strategies to turning shoppers into buyers.”

Users are Losers

Something to keep in mind is that no one likes to be just someone’s potential sale. It’s important to also give. We can give in our own unique ways.

For the boy who read my story and became my fan, I gave him a great escape. He also gets to say ‘he knew me when’. (Hopefully one day he can cash in on that reward!) And I gave him the respect of considering it worth my time to find a story for him to read. One of the other ways I give is by hosting guest speakers so they can talk about their businesses and expand their networks through my blog and limited but still important network.

When I’ve built a larger and even more valuable network, I’ll be able to give more by having more contacts to connect others to.

So giving is a very important part of the equation.

My get is the contacts I’m making through this effort. I’m ‘meeting’ (in this day and age, important deals are closed over the internet and phone, so contacts you have via the net are legitimate) and networking with reviewers (who will be very important when I have books ready to review), writers with more or different connections than myself, agents, and coaches. Good connections or contacts are more than just names in a rolodex. Or Twitter Following nowadays. Good contacts are maintained through periodic connecting.

What are Good Contacts or Connections?

When one of your contacts calls on you, you should be able to place who they are with a brief reminder (if you don’t communicate with them often). In the same way, you should have made enough conversation with them that they’ll remember you with a brief reminder if it is you doing the initial contacting.

I’ve met authors I’d never dreamed of meeting, such as Dr. Harrison Solow and Jacqueline Lichtenberg. When I get to Chicon7 in late August, I’ll get to really meet Jacqueline – a connection first made through Twitter at one of the chats (maybe #LitChat but possibly #Scifichat) and then later through Evmaroon’s blog on pitching.

More Good Uses of Twitter

More directly important to my writing career is that through Twitter I can keep up with my favorite magazine and book editors. Sometimes they talk about what they wish they were seeing in their submissions.

I found out about Buzzy Multimedia’s call for submissions for their new magazine through someone tweeting about it. So I submitted right away. Buzzy liked my story and contracted it. My very first short story sale came from sitting in on a chat on Twitter among editors of magazines. It was open to writers and the editors were talking about their projects. I heard about the anthology Carrie Cuin was working on (Cthulhurotica) and wrote her contact info down when she said she was still looking for stories. Important stuff for writers! All of that has happened because I learned to make effective use of Twitter.

Debra Marrs is someone else I’ve met through Twitter. She’s an editor, author, and author’s coach at Your Write Life. During the most recent #LitChat I sat in on (at Twitter) she mentioned that issue of potential sales.

She and a couple of the agents and other authors there agreed it’s important to be able to tell your agent or publisher that you will be have at least 100 fairly guaranteed sales. David Rozenberg had mentioned that as well, when he did his guest post here on Bookkeeping for Writers. He knew of agents or coaches who wouldn’t even accept a client unless they could say with confidence that they’d have at least 100 guaranteed sales. Unless you have a large inner circle you can depend on to buy your book, this is why a larger network is so important.

Another way I Use Twitter

Twitter has been essential to finding new Friday Fictioneers(where writers can showcase their talent and get feedback from other writers on how to improve their craft). One benefit to participants of that is blog traffic. Some of us rarely got comments on our blogs before we started meeting on Fridays. This is one example of how I give and how I get. I love encouragement. We all need it from time to time. But we also need constructive criticism. I’m also learning from the crit others have offered on mine and other stories. So it’s a quid pro quo arrangement we all benefit from. (Feel free to join us!)

On Thursday this week I’m launching a new challenge on my blog intended to give us as writers a chance to hone our 25 word pitches. It’ll also help us find those 100 potential sales. If you’ve never condensed an entire novel into 25 words you’ll find it surprisingly difficult! What we’ll do is throw our pitch out there and let readers vote on whether it’s enticing enough to make us buy the book. If it needs work, the writers among us will offer constructive crit. I hope I haven’t rambled on too long, and I hope you’ll join us in the fun we’ve been having on my blog!

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Don’t forget to come back on Tuesday to see more about the pitch throwing plan. You have to ask people if they will buy your book after you tell them what it’s about. The pitch throwing will give us a chance to find the best way to entice, and you’ll get to have a record of all your ‘Yes’ answers to that important question.

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On a purely *how-to* practical note: I learned how to ‘do’ Twitter the same way I learned (finally) how to ‘do’ Algebra…quit thinking about *how* to do it and just *do* it ;) Once you give up trying to understand it becomes easier. But it does sort of require you to detach from logic and read between lines. And it takes practice to communicate ideas in 140 characters. Sometimes we have to serial tweet to get the point across (notate that with a … at the end and a 1/2 if you have another tweet following).

Other writers have written books on the hashtags and other features of Twitter that make it useful. Kristin Lamb has one of the most popular books (We Are Not Alone, also called WANA) and her blog is a great resource too. She’s entertaining and informative and makes building a platform sound so easy it’s impossible not to try.

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Please comment and let me know if you’d rather me break long posts like this into more than one day’s post. I decided to go on and post it all, since this is a Sunday and some of us are not as busy that day. On weekdays, I generally try to keep to shorter posts. But I might be all talked out now and not post anything at all tomorrow!

100-words #FlashFriday Whoo-hooo! Go #Fictioneers!


This week’s story is from Eli’s POV and ties in with the story from a couple weeks ago for the mushroom prompt.

I’m looking forward to reading your stories this week. We have more members than ever before, so it is taking longer than Friday evening to get through them all. Sometimes it is taking me days! I start with the first commenters first and move down the list as quickly as I can. If the day job is hectic, it’ll take me longer.

And we’re off to write, link and read stories!

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Here’s how it works: My story is here. When you comment, post a link to yours. Then comment and add your link to the other Fictioneer’s stories.

Tweet your link, too, and add the #FridayFictioneers hashtag so we can easily find you and RT.

I’m always open to constructive criticism if you see mistakes or ways to improve upon what I’ve done. This is a learning exercise for me. However, not everyone feels that way, so if you don’t see an invitation to critique on their post, don’t do it. A lot of people just want and need encouragement!

We are the Friday Fictioneers and we gather every Friday here to post a very short story. It’s a great way to showcase your voice, but to do it in 100 word is almost an extreme challenge. It forces you to choose strong verbs and concise phrases.

Hop on board and post one of yours or visit ours, or do both.

Guest: Laura Schultz, author, reviewer and co-founder of Writer’s Etc.


Madison, I am honored today to share my writing journey with your viewers and for me it has been the ride of a lifetime.

I had always wanted to write and had been writing poetry since I was a child but I had little confidence in my ability to do it professionally. As it were, I guess the universe had other plans for me because as if by magic the call within me to write became overwhelming. I made a difficult decision to make a transition from a lengthy career as a psychotherapist but had no clue what I would do next.

Lo and behold on Christmas Day about 4 years ago, I saw an ad to write for a national magazine. I figured, “Oh well, probably few people will see this ad today and I have nothing to lose by sending a resume to them.” Answering that ad was the beginning of a freelance career that has transcended my wildest dreams. As a result of that gesture, I became a contributing writer to several national magazines including Salon City and various online magazines such as WE for women, Connections for Women, Next2eden.com Self-Growth.com, etc. addressing such topics as relationships and sexuality, art and culture, health and wellness, the environment and spirituality. And I am thrilled that I am considered the relationship expert/ writer at Runway Magazine. It turned out that my years of experience as a psychotherapist was the launching ground for a rich writing career.

Some of the titles of my published articles include “Finding the Light: Overcoming Depression”, “Attaining Joy: The Hidden Secrets”, Eating for Life: Overcoming Eating Disorders”, “The Benefits of Vegan Living”,” “Embracing the Green Spirit”, “Self-Confidence: The Secret to Sex Appeal at Any Age” etc.  I then developed and wrote two advice columns entitled “Ask Therapist Laura” and “Counselor on Call”. One of the most interesting jobs I’ve had was  writing a monthly column entitled “Media Trends” that addressed the erotic evolution in film and television with such titles as  “Love at First Bite: Vampires and Erotica”, “Dancing with Werewolves: The Erotic Beast Within” and “Undressing the Erotic Thriller”. Analyzing aspects of films and television later paved the way for becoming a book reviewer, but I’ll get to that shortly.

While I was writing for magazines and columns, I continued to hone my skills in writing poetry and my work was published in such venues as Abandoned Towers Magazine, Writer’s News Weekly, War Poetry and Forth Magazine. My personal essay entitled “A Poet’s Journey” was published in The Coal House Review, a division of Autumn House Books. I completed my first poetry manuscript in 2010 and the book “Arise and Shine: Laments from the Darkness, Songs of the Light” was released in late 2011. To order the book one can do so at bit.ly/wBobmL or http://tinyurl.com/8a4gu84

In July, 2011 I became the only U.S. poet to be chosen to contribute several of her poems to an international anthology entitled “Sudden Thunder.”

Writing became a familiar pleasure but I longed to branch out in different genres. I didn’t know what form that would take until once again I saw an ad to write book reviews for the New York Journal of Books.  The New York Journal of Books was an incredible outlet to learn more about the methodology of writing and to further examine what constitutes a good story. I’ve always been a voracious reader so here was an opportunity to both read more and learn a heck of a lot to enhance my own skills.

A requirement ( and a great one at that) to write reviews for the New York Journal of Books was that we could only review books in genres that we had credentials in or had previously written in that genre. Here again my background as a therapist was in play. I was allowed to choose books in the areas of true crime, self-help/psychology and poetry. Great reviewers delve deeply into a book with plot and character development in the forefront of their minds. Some books have a great premise but are disjointed and hard to follow. Others have fabulous characters and could be fascinating but the story is not compelling. Each book had positives and negatives—none are absolutely perfect. But some have come very close. The variations are endless but I’d say that 80% of the ones I’ve reviewed have more redeeming qualities than not. The other 20% have more negatives than positives and we are bound by our integrity to enumerate both sides in each review.

I desperately wanted to review books in the genre of true crime as have always had a passion for this subject matter crime. An essay of mine entitled “The Psyche of Serial Killers” was published at www.crimemagazine.com. and a treatise entitled “Strychnine and Stilettos; Anatomy of Female Serial Killers and Their Victims” was published in Crimespree Magazine. These paved the way to review books in the true crime genre. After several years of writing reviews, I’ve been able to expand the genres I’m allowed to review to include fiction, biographies and memoirs. Any author who wants their book reviewed by The New York Journal must have their publisher communicate directly with the staff. At present, self-published books are not reviewed, nor those sent directly by the author.

A new chapter began when in August 2010, I decided to create (along with Italia Gandolfo-Trent, my partner and Co-Director) an online writer’s group called Writer’s etc. The mission was to include writers and authors of all genres, publishers, book reviewers, etc. that would build a new and exciting bridge between the publishing and Hollywood communities. We welcomed over 500 members within the first week and grew to over 650 members.

My writing journey is still expanding and bringing new and exciting opportunities. I have several other books in mind but have not yet made a final decision which one is to be first. But my muse will let me know which one is right at the right time.

If you’d like to contact me to ask questions, get further information or peruse some of my work, you may contact me at my website www.lauraschultznow.com or find me on Facebook and Twitter.

Photo Prompt for 100-word Flash #FridayFictioneers


Here’s the photo prompt for this week’s Friday Fictioneer’s.

Why only 100 Words

100-words isn’t a *rule* and some of us write more than that. My goal is to have The Friday Fictioneers use 100-word stories as an exercise in choosing concise phrases and strong verbs. It’s an excellent way to show your stuff to the world without exposing too much. It’s okay if you use more words, but if it’s much more let us know in the comments so we’ll know how to allocate our time if we’re trying to read all the posts.

Put your best efforts on display for 100 words (more or less) and hop on board Friday with links back to your blog so we can all see what you’ve written. If you don’t have a blog of your own you are welcome to post your 100 words in the comment section of my story’s post (Friday).

If you just landed on this page and are confused about where to go – use the calendar in the sidebar to click on the post for the current Friday and it’ll take you to the correct set of links (they’re updated each week).

If you accidentally post your link here on this page today, you’ll miss out on a lot of the blog hopping because the action will be stemming from links on the story page on Friday.

How to become a Fictioneer

  1. Write a 100-word story (more or less, and it’s okay if you didn’t use this picture for inspiration)
  2. Post your story to your blog on Friday (or just link to it tomorrow if you wrote earlier)
  3. Comment on my story Friday and post a link to your story.
  4. Tweet your link and include the tag #FridayFictioneers if you’re on Twitter.
  5. Visit and comment on all the other stories that link to my story. If the comment forms allow, leave your link on all your comments, so others can find you and us later on.
  6. Check back often because participants post throughout the day.
  7. Get psyched up to do this again next week :)
Keep in mind that sometimes I can’t read or comment until late in the day and throughout the weekend because of the day job on Friday.

You can click the tab at the top to read a little more about Friday Fictioneers.

I hope to see your creativity shining tomorrow!

Dismay, frustration and … frustration!


I am so dismayed.

Yesterday I saw a blurb about a new show coming out on SyFy channel that sounds very similar to the same concept I’m working with in my novel.

Has that ever happened to you? I’ve practically cloistered myself to keep other ideas from influencing me and then I find out that what I thought was my novel idea is already being done?

Is it true that there are no new stories under the sun? This made me want to cry. And scream and shout.

ARRRRrrrrrrggggggghhhhhhhhhh!

That doesn’t begin to express my frustration. But it’s a start. I’ll comfort myself with the theory that my own take on the subject is unique to me. Humor me here. Please.

Writerly Goal Check


This week looks a lot like last week.

One of my submissions came back rejected so that one is going to be added to the file of those I want to examine for rewrite potential. Those are the ones I’ll keep as my future story collections if they look good after I’ve gone over them again. Sometimes when they’ve been out on submission, when they come back I just decide to way-back file it. Those in that file might never see daylight again.

So right now there’s only one more story out on submission. This leaves me with torn feelings because I’d like to have more out on submission, but I don’t want to stop editing Symbiosis long enough to write another one. It takes me more than a day or two to write and polish a short story of around 5000 words. So I guess I’ll just let my short story submission go on hold until I get the book finished, since I can’t do both.

No guest posts this week. Well, I take that back. I might have one from Laura Schultz, author, reviewer and one of the co-founders of the well-stocked Facebook group Writer’s Etc.

This week’s goals:

  • Catch up on the editing of Symbiosis, edit during lunch hour

This year’s goals:

  • Finish editing SYMBIOSIS
  • Format a collection of Flash stories for Kindle